Enxhaline is made in Albania, in runs whose size is set by how much of the right fabric exists. Bimaj does not order rolls of new nylon. She works from what has already been made.

The core material is Econyl, a regenerated nylon spun from discarded fishing nets, worn carpet, and industrial waste that would otherwise reach the sea or a landfill. Around it she uses certified organic cotton and deadstock, the leftover luxury cloth that fashion houses never cut, sourced through LVMH's Nona Source and from fabric sellers closer to home. Every metre has a history before she touches it.

Each garment is sewn by one maker from start to finish rather than passed down a line. That is slow, and it caps how much can exist, so the pieces arrive as limited editions instead of a standing range. When a fabric runs out, the piece made from it does too.

The range has since grown well past a handful of pieces: swimwear in dark cyan, the red Palas bag, tennis sets, a red parachute raincoat, leggings cut for layering. Enxhaline is now looking at rentals and resale to keep the clothes in use longer, the same logic that started the label.